Limited edition physical edition cover of 'Aruku Around', featuring the song's lyrics. By from the album Released January 6, 2010 ( 2010-01-06) Format, Recorded 2009, Length 4: 26 Sakanaction singles chronology ' (2009) ' Aruku Around' (2010) ' (2010) ' (2009) ' Aruku Around' (2010) ' (2010) ' Aruku Around' (: アルクアラウンド,: Aruku Araundo, 'Walk Around') ( Japanese pronunciation: ), also known as ' A Look Around', is a song by Japanese band.
It was initially released as a on January 6, 2010, before a wide release on January 13 as the band's second. The song was praised by critics for its synth-based dance sound, as well as lead vocalist 's introspective and poetic lyrics. In particular, the song's music video was lauded by critics, winning an excellence prize at the, and winning the Best Video of the Year award at the. The song was a commercial success for the band, becoming their first release top peak in the top five of the Japanese record charts, and receiving a gold certification from the. Contents. Background and development After releasing two studio albums based in, the band moved to Tokyo in Spring 2009 to further their musical potential.
Their first album produced in Tokyo, (2010), saw a new approach for the band, where Yamaguchi asked the other members of Sakanaction to produce songs individually, instead of together as a group. Led by the singles ' and ', the album became their most commercially successful in their career to date, peaking at number eight on 's album chart. Despite this, Yamaguchi was disappointed with the sales, and was not sure why the album stalled at 30,000 copies sold. After the release of the album in January 2009, Sakanaction performed a two-month long tour of Japan, Sakanaquarium 2009: Shinshiro. This was followed by the band making appearances at many summer music festivals, including Sweet Love Shower, Nano-Mugen Fes, and. On June 13, 2009, Sakanaction performed at Version 21.1, a newly created rock event set up by Sakanaction and the rock bands and the Telephones to showcase rock music of the 2010s.
On October 10, Sakanaction performed their first overseas concert, the Gentra X Ssamzie Sound Festival in,. Writing and inspiration Yamaguchi immediately started writing 'Aruku Around' after the band finished their Sakanaquarium 2009: Shinshiro tour in March 2010. After being disappointed in Shin-shiro's sales total, Yamaguchi realized that the band needed to create a signature song that would be recognizable to a wide audience and would represent Sakanaction as a band. Yamaguchi felt that a song that would represent the band should be something non-fictional, so wrote about his feelings after the end of the Shin-shiro tour, where he realized that Tokyo was now his home and not Hokkaido. Yamaguchi wanted to represent how he and the band members felt in that moment in the song's lyrics.
'Aruku Around' was written for the band to reach a wide audience with a commercial sound, and to rank well on the Japanese single charts. Despite this, Yamaguchi did not want the single to simply be a promotional took for their fourth album Kikuuiki, and wanted something that could stand by itself as its own work. To reach a wider audience, the band incorporated a stronger pop sound and strong 1980s dance music elements. After Yamaguchi wrote the song, the band's pianist Emi Okazaki created the basic arrangement. They continued to experiment with the song, performing it at the Rising Sun and Rock in Japan festivals over the summer to test the crowd's reaction, and changed the song based on how the audience reacted. 'Aruku Around' was released during the early recording stages for the band's album Kikuuiki. The song's success influenced the album strongly, making the band consider what music their new audience should hear, after knowing them only through 'Aruku Around'.
This led to an album featuring compositions such as ' that illustrated completely different types of the music the band could create, instead of simply more of the same style of music as 'Aruku Around'. Promotion and release The single was first announced in October 2009. After making its radio debut on November 30 on the School of Lock! Radio program, FM radio stations across Japan began to give the song airplay in early December. At the same time, the song was used in television commercials for winter clothing brand Kissmark, which gained attention for the song.
On December 2, the song was released as a downloadable ringtone. The full-length song was released to digital outlets and on January 6, followed by a wide-release of the physical single on January 13.
On January 17, the band performed a live concert broadcast on the program Au Onair Music Chart, from 's Spain-zaka studio. The full-length version of the single included two other tracks, the original B-side 'Spoon to Ase' and a remix of the leading track from Shin-shiro, ', rearranged by electronic musician. 'Spoon to Ase' was written to be a song that was the complete opposite to 'Aruku Around', and featured a strong acoustic guitar sound that mixed folk and electro genres in a similar way to Sakanaction's early music. Yamaguchi wanted to include a song like this to illustrate to listeners that Sakanaction released more than just dance music. As a part of the song's arrangement, it features the sound of drummer Keiichi Ejima and guitarist Motoharu Iwadera thumping their chests like gorillas. Yamaguchi first encountered Harakami's album Lust (2005) while he worked at a record store, and immediately thought of Harakami when Sakanaction's team discussed including a remix on the single. The limited edition version of the single features an additional track, 'Fish Alive Chapter 2' 1 Sequence by 3 Songs: Sakanaquarium 2009 @ Sapporo'.
This was a sequel to (2009), a live extended play released on iTunes in the summer of 2009. Since its release, the song has become a staple of the band's concert set-lists. Six recordings of performances of the song have been released. The first is found on the bonus DVD compiled on the band's ' (2010) single taken from footage of their Sakanaquarium 2010 concert held at Shinkiba Studio Coast on May 15, 2010. This footage was re-released six months later when the full concert was released as the Sakanaquarium (C) video album. On the same day, footage from the band's performance at the on October 8, 2010 was released as Sakanaquarium (B).
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The song features on the band's following video albums, Sakanaquarium 2011 Documentaly: Live at Makuhari Messe, Sakanaquarium 2013 Sakanaction: Live at Makuhari Messe 2013.5.19, and Sakanatribe 2014: Live at Tokyo Dome City Hall, and makes an appearance on their digitally exclusive live album Sakanaquarium 2012 'Zepp Alive' (2012). The song has appeared in the song lists of many arcade games, such as (2010), (2010) and (2011). The song was also compiled as the final track on All Is Love Is All, a mix CD released by DJ Takehiko Hosaka to celebrate the 10th anniversary of the Soultoday rock event. In 2013, covered the song in English for her album I Am Gille 2; the first time the band agreed for a musical act to cover one of their songs. The single's B-sides 'Spoon to Ase' and 'Native Dancer (Rei Harakami Heppoko Re-Arrange)' were compiled on the band's compilation album (2015). Cover artwork The cover artwork for the single depicts the song's lyrics written on top of a woman's face, depicted in 1980s-style vivid coloring. The image is an altered picture of the band's bassist Ami Kusakari from the photoshoot for the band's album Shin-shiro, as she brushed hair out of her eyes.
The covers were made by design team Hatos, who have worked with Sakanaction since their second album. Yamaguchi requested something relating to Japanese literature, and to the 1980s, but never considered that Hatos would put the song's lyrics on the cover.
Because of copyright restrictions relating to the song's lyrics in Japan, the band could not use the actual cover artwork when promoting the single online or in magazines. Therefore, a dummy cover artwork was released for these mediums, replacing the lyrics with a notice apologizing for the lack of song lyrics. The limited edition four-tracked version of the single features the artwork in red, while the regular edition is colored in green. A third version of the cover was produced for the song's early digital release, dubbed the 'Mikaeri Bijin Ver.'
( 見返り美人Ver., 'Changed View Beautiful Person Ver.' ), featuring the artwork seen from a diagonal angle. Music video. The typographic objects used in the video for 'Aruku Around' were praised by critics from the. The shot above shows the objects from a misaligned angle, while the shot below shows vocalist Ichiro Yamaguchi walking past the objects as they become properly aligned in time to the song's lyrics. The video was directed by Kazuaki Seki, while stylist Hisashi 'Momo' Kitazawa acted as the video's producer, organizer, stylist and person in charge of Sakanaction members' visual appearance.
It features footage of the terrace and a corridor of the convention center in, shot on December 2, 2009. The video is a single five-minute shot taken late at night, where Yamaguchi walks past stands displaying pieces of typographic objects. As the camera moves to a specific spot, these pieces form the characters of 'Aruku Around's lyrics as they are sung. Additional scenes feature the other band members of Sakanaction, who help display the characters in different ways, such as in a, a computer monitor, a fish tank and. In the final scene, Yamaguchi walks out of the corridor and back onto the terrace, creating an infinite loop. When Seki heard the song, he wanted to create a video that would express the song's lyrics well, noting that they were written entirely in Japanese. He discussed wanting to visually express the song's lyrics to the band in an interview, and suggested an idea he previously had learnt about: a camera technique where objects could only be seen from one particular angle.
The band gave Seki full creative control over the project, however Yamaguchi requested that the video feature night and dark colors. To contrast with the song's digital sound, Seki decided to shoot the video without any digital editing, only utilizing analog techniques and objects. Seki felt that for the video to have its full effect, it should be shot in a single cut. He originally intended to shoot the video with a, however this equipment had difficulties being used for an uninterrupted five-minute take. Instead, Seki used a handheld. The video was created with the video sharing service in mind, after the band's previous music video ' (2009) had had such a positive reception on the medium.
The idea for the video's infinite loop was inspired by the replay function on YouTube. The music video was shot on the terrace and in a corridor of the convention center (pictured). The music video staff were unable to enter Makuhari Messe before the day the video was going to be shot, so were unable to hold a trial run.
The staff entered the building at 7:00am on the day, and started rehearsing with Sakanaction band members at 12:00am. From 3:00am onwards, they were able to record 10 takes of the video, however only two takes were successful. Okazaki had difficulty moving between the two locations she appeared in the scene in time, so she had to be transported by a staff member pushing her on a wheel chair. The band decided to release the earlier take of the video, as the second take was taken in the morning.
This version was released on the band's Sakanarchive 2007-2011 video album in 2011. An additional video was created by the radio program School of Lock!, featuring a selection of the 37 best cellphone videos out of 500 submissions by School of Lock! Listeners across Japan. On December 22, a sixty-second trailer was released for the video, featuring several cuts from the video, as well as scenes of the band performing the song not seen in the video. The video was uploaded to on December 24, 2009, and as of April 2015 has been viewed over 14,000,000 times. At the 14th, 'Aruku Around' won an excellence prize in the festival's entertainment section.
The judges praised the video as a 'thrilling dead heat', praising the separated 3D typographic objects technique used in the video. They were impressed with the lack of CGI, and praised how the detailed typographic objects and rehearsing came together to create one 'miracle moment'. They described the video as being like a live session for visual media, and felt that the power balance between visual and audio was constantly changing throughout the video.
At the, the video won both the Best Video of the Year and Best Rock Video awards. Seki also received the Best Director award for 2010. An analysis of the music video was included in the 2014 edition of Bijitsu 2 ( 美術2), the certified textbook for teaching art in Japanese high schools to second year students.
Reception Critical reception. Critics praised the synths, melody and beat of 'Aruku Around'. Problems playing this file? The song received widespread acclaim from music critics in Japan. CDJournal reviewers gave the single its star of recommendation, calling it a 'killer tune' where the 'pleasure of living in the moment' and 'prudence' is balanced. They noted the song's sound, like nostalgic dance music, and felt that the band's decision to move to Tokyo two years prior showed in the song.
Yuji Tanaka of CDJournal praised the song's strong melody in particular. Kenji Sasaki of Skream! Felt that the song had a 'gentle electronica feel', praising the 1980s-style synths, aggressive band sound and 'unique poetic sentiment' of Yamaguchi's. He further praised the emotions the song gave him, mixing both painfulness and exhilaration. Tomoki Takahashi of felt the greatest strength of the song was how its lyrical content jarred with its 'high-spirited words' and 'explosive hybrid beat'.
He noted that instead of talking about the pleasures of the dance floor, Yamaguchi's lyrics were introspective, discussing loneliness, pain and longing. Takahashi praised the brave fanfare-like synth based leading melody, and the 'tight' and 'earth-shaking' beat. Critics also reviewed the single's two other tracks. CDJournal described 'Spoon to Ase' as folk and electro blended together, and called the song's 'wonderful sound fantasy-like', feeling that the quiet acoustic guitar backing 'drifted in sorrow'. They felt that even though Yamaguchi's 'low energy' vocals gave 'the impression of ennui', the lyrics 'hid a quiet strength' that added to the song.
Kenji Sasaki of Skream! Found the song's acoustic sound and mysterious backing track blended together well to create a song with a 'curious' feeling.
For the Rei Harakami remix of 'Native Dancer', CDJournal felt that this version had a 'floating, light sound that makes you feel at ease', and that there was something nostalgic about the remix that matched the song's lyrics on transience well, while Sasaki described the remix as 'beauty and strangeness twist and fight each other, while being wrapped up in Yamaguchi's lyrics.' Commercial reception On 's physical single charts, the song debuted at number three, selling 13,000 copies, making it the band's best chart performance since their debut in 2007. Rival sales tracking agency Japan found that the vast majority of copies sold were of the single's limited four-track edition. The single spent an extra two weeks in the top forty singles, and in total eleven weeks in the top 200 releases.
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In this period, the single managed to sell an additional 14,000 copies, beinging the grand total to 27,000 sold. The song first started receiving radio airplay in early December 2009. During the physical single's release week, radio airplay intensified, making the song the number four played song in Japan for that week. The combined sales and airplay success led the song to reach number four on the The song performed well digitally as a.
In its week of release, it debuted at number 38 on the, however not reaching any higher. Two years after its initial release, it was certified as a gold single by the RIAJ for 100,000 paid downloads (excluding downloads on cellphones). Track listings digital download No. Title Length 1. 'Aruku Around' 4:26 Total length: 4:26 All tracks written. Physical single, digital EP No.
Title Arranger(s) Length 1. 'Aruku Around' Sakanaction, 4:26 2.
'Spoon to Ase' ( スプーンと汗, 'Spoon and Sweat') Sakanaction 3:19 3. ' (Rei Harakami Heppoko Re-Arrange)' ( ネイティブダンサー(rei harakami へっぽこ re-arrange), 'Rei Harakami's Amateur Re-Arrangement') 6:13 Total length: 13:58 Limited edition bonus track No.
Title Arranger(s) Length 4. 'Fish Alive Chapter 2' 1 Sequence by 3 Songs: Sakanaquarium 2009 @ Sapporo (Native Dancer, Adventure)' ( ネイティブダンサー~セントレイ~アドベンチャー) Sakanaction 14:12 Total length: 28:10 Personnel Personnel details were sourced from Kikuuiki's liner notes booklet.
Music video personnel details were sourced from Sakanarchive 2007—2011: Sakanaction Music Video Collection. ^ (in Japanese). Retrieved April 18, 2015. Motoharu Iwadera (January 13, 2010).
(in Japanese). Hip Land Music Corporation. Retrieved April 21, 2015.
Keiichi Ejima (January 6, 2010). (in Japanese). New Audiogram. Retrieved May 2, 2015. ^ (in Japanese).
January 6, 2010. Retrieved April 21, 2015. ^ Record Association Investigation: December Digital Music Download Certifications (in Japanese). January 18, 2013. Retrieved June 10, 2014. Masaki Mugikura (January 1, 2009).
(in Japanese). Retrieved February 26, 2015. Tetsuo Hiraga (January 21, 2009).
Harry turtledove series. (in Japanese). Retrieved February 26, 2015. ^ (in Japanese). January 13, 2010. Retrieved April 23, 2015. ^ Shinji Hyogo (2011). (in Japanese).
Retrieved April 16, 2015. ^ (in Japanese). January 29, 2009.
Retrieved February 27, 2015. (in Japanese).
Hip Land Music Corporation. Archived from on April 17, 2009. Retrieved April 23, 2015. (in Japanese). May 11, 2009.
Retrieved April 21, 2015. Tomoko Ariizumi (2009). (in Japanese). Retrieved April 21, 2015. (in Japanese). October 16, 2009. Retrieved February 27, 2015.
^ Yoshiaki Takebe (January 8, 2010). (in Japanese). Kinyosha Printing. Retrieved April 21, 2015. ^ Tetsuo Hiraga (January 13, 2010).
(in Japanese). Retrieved April 21, 2015. ^ Tomoyuki Mori (2010). (in Japanese).
Victor Entertainment. Retrieved April 21, 2015. ^ (in Japanese). Excite Japan. January 15, 2010.
Retrieved April 21, 2015. Tetsuo Hiraga (March 17, 2010). (in Japanese). Retrieved April 15, 2015. Yoshiaki Takebe (March 17, 2010).
(in Japanese). Kinyosha Printing. Retrieved April 15, 2015. Nachi Ebisawa (March 18, 2015).
(in Japanese). Retrieved April 14, 2015. ^ Tetsuo Hiraga (March 17, 2010). (in Japanese). Retrieved April 15, 2015. ^ (in Japanese).
October 28, 2009. Retrieved April 21, 2015. ^ (in Japanese). December 3, 2009. Retrieved April 21, 2015. ^ (in Japanese).
Hip Land Music Corporation Inc. November 27, 2009. Retrieved May 2, 2015.
^ Sakanaction's new song has a tie-up with a snowboarding brand (in Japanese). December 2, 2009. Retrieved April 18, 2015. (in Japanese). Ichiro Yamaguchi.
January 14, 2010. Retrieved April 24, 2015. ^ Tetsuo Hiraga (January 13, 2010). (in Japanese). Retrieved April 21, 2015.
(in Japanese). January 12, 2010. Archived from on February 24, 2015.
Retrieved April 22, 2015. Keiichi Ejima (January 13, 2010). (in Japanese). New Audiogram. Retrieved May 2, 2015.
(in Japanese). Ichiro Yamaguchi.
July 29, 2011. Archived from on April 22, 2015.
Retrieved April 23, 2015. (in Japanese). October 26, 2009. Archived from on March 16, 2010. Retrieved April 23, 2015.
(Media notes) (in Japanese). Tokyo, Japan:. ^ Sakanaquarium (B)(C)(D) (Media notes) (in Japanese). Tokyo, Japan:.
Sakanaquarium 2011 Documentaly: Live at Makuhari Messe (Media notes) (in Japanese). Tokyo, Japan:.
Sakanaquarium 2013 Sakanaction: Live at Makuhari Messe 2013.5.19 (Media notes) (in Japanese). Tokyo, Japan:. Sakanatribe 2014: Live at Tokyo Dome City Hall (Media notes) (in Japanese). Tokyo, Japan:. (in Japanese). November 13, 2012.
Retrieved April 23, 2015. (in Chinese). Retrieved April 23, 2015.
(in Japanese). Konami Digital Entertainment. Retrieved April 24, 2015. (in Japanese).
Sakanaction Music
Konami Digital Entertainment. Retrieved April 24, 2015. (in Japanese). November 27, 2011. Retrieved April 21, 2015. (in Japanese).
August 23, 2013. Retrieved January 31, 2016.
(in Japanese). July 3, 2015. Retrieved July 4, 2015. ^ (in Japanese). November 21, 2009. Retrieved April 21, 2015.
^ Sakanarchive 2007—2011: Sakanaction Music Video Collection (Limited Edition) (Media notes) (in Japanese). Tokyo, Japan:. (in Japanese). January 7, 2010. Retrieved April 21, 2015.
Space Shower. Retrieved January 22, 2014. (in Japanese). December 28, 2009.
Retrieved April 23, 2015. ^ (in Japanese). March 31, 2010. Retrieved April 21, 2015. ^ (in Japanese). Japan Media Arts Plaza. Archived from on July 6, 2011.
Retrieved April 23, 2015. ^ Sakai, Tadayasu (2014). 'ミュージックビデオをつくる' Making a music video. 美術2 Art 2 (textbook) (in Japanese). Tokyo, Japan: Mitsumura Tosho Publishing. ^ (in Japanese).
Space Shower. Archived from on April 15, 2011.
Retrieved May 2, 2015. ^ (in Japanese). White Screen. August 19, 2011. Retrieved February 26, 2015. (in Japanese).
November 19, 2011. Retrieved April 23, 2015. (in Japanese). Retrieved April 23, 2015. (in Japanese). December 22, 2009. Retrieved April 21, 2015.
Victor Entertainment (December 24, 2009). (in Japanese). Archived from on April 23, 2015. Retrieved April 23, 2015. (in Japanese). December 10, 2010. Retrieved April 21, 2015.
^ (in Japanese). May 18, 2011. Retrieved April 23, 2015.
Yuji Tanaka (2010). (in Japanese). Retrieved March 8, 2015.
^ Kenji Sasaki. (in Japanese). Geki-Rock Entertainment Inc.
Aruku Around
Retrieved April 18, 2015. ^ Tomoki Takahashi (January 11, 2010). (in Japanese). Retrieved April 18, 2015. (in Japanese). January 19, 2010.
Retrieved April 18, 2015. ^ Oricon Ranking Information Service 'You Big Tree'. Retrieved December 18, 2014.
(Subscription required ( help)). SoundScan Japan (in Japanese). Ongen Publishing Co., ltd. January 19, 2010. Retrieved April 20, 2015. (in Japanese). December 9, 2009.
Retrieved April 20, 2015. (in Japanese). January 20, 2010. Retrieved April 20, 2015. (in Japanese). January 20, 2010. Retrieved February 24, 2015.
^ Record Association report: 2010.01.12 (in Japanese). January 15, 2010. Archived from on April 18, 2015. Retrieved April 18, 2015. Kikuuiki (Media notes) (in Japanese).
Tokyo, Japan:. (in Japanese). January 20, 2010. Retrieved January 22, 2015. Retrieved April 18, 2015.
(in Japanese). Victor Entertainment. Archived from on February 17, 2010. Retrieved April 28, 2015. (in Korean). Retrieved February 17, 2015.
(in Japanese). Retrieved April 18, 2015.
VIDEOS In Japanese lingo, music videos are called PV (promotional video) instead of MV (music video). Thanks to the creativity of music video directors, there are several PVs where Japanese text is built right into the concept of the PV. These clips make excellent learning tools for improving your reading speed. Plain Japanese Sakanaction (サカナクション) – Aruku Around/A Look Around (アルクアラウンド) The band claims that this fun, kinetic PV was done without use of CG. (“Aruku” means walk and it’s a pun on English for “look”; the “around” is also a pun in that this video can loop infinitum.) Slang and alliteration RADWIMPS – DADA Text everywhere!
DADA will get stuck in your head. Karaoke practice Lots of videos by Takahashi Yu (高橋 優) – Shounen de Are (少年であれ), Fukuwarai (福笑い), or Honto no Kimochi (ほんとのきもち). He’s pretty consistent with all that text. Advanced learners HiGE (髭 ) – Oboreru Saru Ga Wara wo Motsukamu (溺れる藁をもつかむ) It’s a rebus puzzle juggling Japan’s three lexicons and English letters shot in stop-motion. Text only Cee Lo Green – F.k You. One of the videos for Cee-Lo Green’s “F.ck You” song featured only text on-screen in English, so Warner Music Japan decided to translate it to promote him in Japan.
It’s not a 100% accurate translation, but if you can read it, it’s pretty funny. F.k You was also translated into Spanish and German. Unofficial “Fansubbing” There are an uncountable number of fans, fangroups, and translation teams that add their own Japanese, Romaji, and English translations to PVs, variety shows, and commercials. Some purposely time the subtitles so you can sing to it like a karaoke video! Although the accuracy of the translation is often hit or miss, the comments will reveal if the job was well done or not. “Fansubbers” host their work on places like Youtube, Daily Motion, and torrents for other fans. The most infamous torrent group is, known for their presence in pop music territory.
Their torrent tracker got so popular that it’s now invite only (psst! ), but you can still find their videos on Youtube like Bennie K’s “”.
I’m also quite fond of the fansubbing group. Other recommendations Misia, Arashi, AKB48, Remiromen, The Southern All Stars, The Pillows, Bump of Chicken, Sakamoto Maaya Have fun practicing!.Author’s Note: The History Channel lists the record-setting date for Sukiyaki as June 15th, 1963. The June 15th, 1963, issue of the weekly Billboard Magazine lists Sukiyaki as #2. However, June 15th is a Saturday and the coinciding issue states that it’s the “end of the week charts.” Due to print delays of the era, the information probably is accurate but was unable to be reported until the next issue – which was June 22nd, 1963.
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